International Human Resource : Experts
| A brief Intro Alexander Nemerov (born 1963) is the Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities as well as Chair of the Department of Art and Art History at Stanford University. He was previously a Professor of Art History and American Studies at Yale University. Over the years he has published many books and articles pertaining to American art from the eighteenth century to the 1970s. His writing often analyzes fiction and poetry alongside works of visual art. | |
Books 1. NEMEROV, ALEXANDER.. Helen Frankenthaler: Selected Paintings. United States, SNAP Editions, LLC, 2019. Click here 2. World War I and American Art. United Kingdom, Princeton University Press, 2016. Click here | ||
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Articles 1. Life and Death in the Library,” in Robert Dawson and Ellen Manchester, Photographing Shakespeare: The Folger Shakespeare Library (Washington, D.C.: The Folger Shakespeare Library, 2018), 55-57 2. Without a Trace: The Art and Life of Martha Ann Honeywell,” in Asma Naeem, Black and White: Silhouettes Then and Now (Washington, D.C.: National Portrait Gallery, 2018), 46-57 3. In Conversation: Art Is Not the Archive,” Archives of American Art Journal 57 (Fall 2018): 76-77 | ||
Online Lectures 1. An Art History Professor's Thoughts on a Painting by Velazquez with Alexander Nemerov click here 2. New Writings in American Art: Virtual Conversation with Alexander Nemerov Click here 3. Exhibition talk: To Make a World with curator Alexander Nemerov Click here 4. Alexander Nemerov - Anderson Collection at Stanford University Click here |
A brief Intro Professor Edward S. Cooke, Jr., the Charles F. Montgomery Professor of American Decorative Arts in the Department of the History of Art at Yale University, focuses upon American material culture and decorative arts. | |
Books Cooke, Edward S.. Upholstery in America & Europe: From the Seventeenth Century to World War I.. United Kingdom, Norton, 1987. Click here | |
Online Lectures 1. Masters: Edward S. Cooke Jr. click here 2. Edward S. Cooke Jr.: 2016 American Craft Council Awards Click here 3. The Domestic Material World of New Netherlands Click here 4. The Material World in 17th-Century Dutch Painting Click here 5. The Elements of Style: The Art of Fine Furniture-Making in America Then and Now Click here 6. Lecture Series: The Dutch Abroad and What They Brought Back: The Domestic Material World of New Netherlands Edward S. Cooke, Jr. Click here
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A brief Intro Lucy Rowland Lippard (born April 14, 1937) is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 21 books on contemporary art and has received numerous awards and accolades from literary critics and art associations. | |
Lucy R. Lippard papers, 1930s-2007, bulk 1960-1990 Click here |
A brief Intro Griselda Frances Sinclair Pollock (born 11 March 1949) is an art historian and cultural analyst of international, postcolonial feminist studies in the visual arts and visual culture. Based in the United Kingdom, she is known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory. Since 1977, Pollock has been one of the most influential scholars of modern, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history and gender studies | |
Books 1. Pollock, Griselda. Vision and Difference: Feminism, Femininity and Histories of Art. United Kingdom, Taylor & Francis, 2015. Click here 2. Pollock, Griselda. Differencing the Canon: Feminism and the Writing of Art's Histories. United Kingdom, Taylor & Francis, 2013. Click here 3. Pollock, Griselda, and Parker, Rozsika. Old Mistresses: Women, Art and Ideology. United Kingdom, Bloomsbury Publishing, 2020. Click here | |
Articles 1. Pollock, Griselda, and Mark Davis. “Thinking in Dark Times: Assessing the Transdisciplinary Legacies of Zygmunt Bauman.” Thesis Eleven, vol. 156, no. 1, Feb. 2020, pp. 3–9, doi:10.1177/0725513619898090. 2. Grant, Catherine, and Dorothy Price. “Decolonizing Art History.” Art History, vol. 43, no. 1, Wiley, Jan. 2020, pp. 8–66. Crossref, doi:10.1111/1467-8365.12490.
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Online Lectures 1. Griselda Pollock discusses the life and work of artist Charlotte Salomon 2. Click here 3. Making Feminist Memories: The Case of Helen Rosenau and Woman in Art 1944 click here 4. Seminar om Griselda Pollock Click here 5. Griselda Pollock: The Victorian Book I Never Wrote or Why I Never Became a Specialist on British Art Click here |
A brief Intro Marcia Pointon is a historian of British art. She trained at the University of Manchester, receiving her PhD there in 1974. From 1975, she was at the University of Sussex, becoming Professor of the History of Art in 1989. In 1992, she moved to the University of Manchester to take the Pilkington Professorship in the History of Art, a position she held until 2002.She now works as a free-lance consultant and researcher. | |
Books 1. Pointon, Marcia R. History Of Art : A Student's Handbook. 5th ed., Routledge, 2014. Click here 2. Pointon, Marcia R.. Brilliant Effects: A Cultural History of Gem Stones and Jewellery. Germany, Paul Mellon Centre for Studies in British Art, 2009. Click here | |
Articles 1. Pointon, Marcia (2019) Casts, Imprints and the Deathliness of Things: Artefacts at the Edge. The Art Bulletin. ISSN 1559-6478 2. Pointon, Marcia (2019) Peter Paul Rubens and the mineral world. Artibus et Historiae: an art anthology (79). pp. 229-265. ISSN 0391-9064 3. Pointon, Marcia (2018) Ragged and Unravelling. Теория моды: одежда, тело, культура (Fashion Theory: The Journal of Dress, Body & Culture), 50. ISSN 5-86793-472-1 (In Press) 4. Pointon, Marcia (2018) De Beer's Diamond Mine in the 1880s: Robert Harris and the Kimberley Searching System. History of Photography, 42 (1). pp. 4-24. ISSN Print ISSN: 0308-7298, Online ISSN: 2150-7295 5. Pointon, Marcia (2017) Enduring Characteristics and Unstable Hues: Men in Black in French painting in the 1860s and 1870s. Art History, 40 (4). pp. 744-769. ISSN Online ISSN: 1467-8365; Print ISSN: 0141-6790 6. Pointon, Marcia ‘Material Manoeuvres: Sarah Churchill, Duchess of Marlborough and the Power of Artefacts,’ Art History, 32:3 (June 2009), pp. 485-515.
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Online Lecture 1. PIPA 2018 Marcia Thompson Click here 2. Marcia Pointon: “Why Portraiture?" Click here 3. Marcia Pointon - Colour and Tactility Click here
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Media Coverage/News
1.BN Goswamy: ‘One feels as though he was con versing with gods’
3. Art historian BN Goswamy bereaved
4. The Spirit of Indian Painting by BN Goswamy review – an out-and-out masterpiece
| A brief Intro Brijinder Nath Goswamy is an Indian art critic, art historian and a former vice chairman of the Sarabhai Foundation of Ahmedabad, which runs the Calico Museum of Textiles. Goswamy is best known for his scholarship on Pahari painting and Indian miniature paintings. He is the author of over 20 books on arts and culture, including Sakti Burman: A Private Universe, a monograph on the life and works of Sakti Burman, renowned Bengali painter and Masters of Indian Painting 1100-1900, a treatise on Indian miniature art.The Government of India awarded him the fourth highest civilian award of the Padma Shri in 1998 and followed it up with the third highest honour of the Padma Bhushan in 2008.
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Books 1.Nou, Jean Louis, and Goswamy, B. N.. Essence of Indian Art. India, Asian Art Museum of San Francisco, 1986. Click here 2. Themes, Histories, Interpretations: Indian Painting : Essays in Honour of B.N. Goswamy. India, Mapin Publishing, 2013.Click here 3. Goswamy, B. N., et al. A Secret Garden: Indian Paintings from the Porret Collection. Germany, Museum Rietberg, 2014. Click here 4. Goswamy, B N. The Spirit of Indian Painting: Close Encounters with 100 Great Works 1100-1900. India, Penguin Books Limited, 2014. Click here | |
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Online Lectures 1.Professor B N Goswamy - A LAYERED WORLD - Audio Visual presentation: Chandigarh Lalit Kala Akademi click here 2. B N Goswamy - Aspects of Time in Indian Painting: Kaala, Samay , Waqt - Punjab Lalit Kala Akademi click here 3. CFP Perspectives Lecture Series 2019: Prof. B. N. Goswamy click here 4. Professor B N Goswamy Interview by Parul - Chandigarh Lalit Kala Akademi click here 5. B.N. Goswamy, Maya Jasanoff, Uday S. Kulkarni, Yashaswini Chandra, William Dalrymple click here |
A brief Intro Sharada Srinivasan (born 16 January 1966) is an archaeologist specializing in the scientific study of art, archaeology, archaemetallurgy and culture. She is associated with the National Institute of Advanced Studies, Bangalore, India, and an Honorary University Fellow at the University of Exeter, Srinivasan is also an exponent of classical Bharata Natyam dance. She was awarded India's fourth highest civilian award the Padma Shri in 2019. | |
News/Media Coverage Combination of art and dance Click here Dr Sharada Srinivasan. Chola Bronze: Art History & Archaeometallurgy. THTIndoFest2020. Dec 5, 2020 Click here |
Media coverage/news 1 Six from T.N. honoured with Padma awards 2 There is no alternative history. It’s only factual: Historian Dr R Nagaswamy | A brief Intro Ramachandran Nagaswamy (born 10 August 1930) is an Indian historian, archaeologist and epigraphist who is known for his work on temple inscriptions and art history of Tamil Nadu. He served as a Director of the Tamil Nadu Archaeology Department. He was also instrumental in starting the annual Chidambaram Natyanjali festival in 1980. He is an authority in Chola Bronzes. He was awarded India's third highest civilian award the Padma Bhushan in 2018. |
Books Nagaswamy, R. Mahabalipuram (Mamallapuram). Oxford University Press, 2014. Click here Nagaswamy, Ramachandran. Studies In Ancient Tamil Law And Society. Institute Of Epigraphy, State Dept. Of Archaeology, Govt. Of Tamilnadu, 1978. Click here | |
Articles 1. Nagaswamy, R. “ARCHAEOLOGICAL FINDS IN SOUTH INDIA: ESĀLAM BRONZES AND COPPER-PLATES.” Bulletin De L'École Française D'Extrême-Orient, vol. 76, 1987, pp. 1–68. JSTOR, www.jstor.org/stable/43733559. Accessed 30 May 2021.
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Online Lectures 1 New Light on Mamallapuram | Ramachandran Nagaswamy, An Archaeologist, historian and epigraphist Click here 2 Padma Bhushan Dr. Nagaswamy Speech at the World Hindu Congress 2018 Chicago Cick here 3 Dr. Nagaswamy Compares Thirukkural & Dharma Shastra Click here |
A brief Intro Kalyan Kumar Chakravarty (born 2 September 1947) is an Indian historian, art historian, writer, action anthropologist, academician and administrator, known for his intercultural and cross-disciplinary research and activism. A retired officer of the Indian Administrative Service (IAS) of the 1970 batch (retired 2007), he was appointed Chairman of the Lalit Kala Akademi, India’s federal fine arts academy, in 2013. He has authored significant books on archaeology, rock art, art history, tribal issues, museology, public policy, philosophy of religion and art. | |
Books 1. Chakravarty, Kalyan Kumar. Art of India: Khajuraho. India, Brill Academic Pub, 1986. Click here 2. Approaches to the Art & Archaeology of Madhya Pradesh. India, Commissioner, Archaeology & Museums, Government of Madhya Pradesh, 1994. Click here 3. Chakravarty, Kalyan Kumar. Gwalior Fort: Art, Culture, and History. India, Arnold-Heinemann, 1984. 4. Chakravarty, Kalyan Kumar, and Bednarik, Robert G.. Indian Rock Art and Its Global Context. India, Motilal Banarsidass Publishers, 1997. Click here 5. Chakravarty, Kalyan Kumar. Art of India: Orchha. India, Arnold-Heinemann, 1984. Click here | |
Online Lectures 1. Tribal Heritage in a Changing World | Kalyan Kumar Chakravarthy | TEDxSIBMBengaluru Click here 2. Dr. Kalyan Kumar Chakravarty, Former Chairman, Lalit Kala Akademi - ICICH 2017 – Interview click here
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Areas of Interest /Specialization | Books | Articles | ||
Ancient Indian Art History (including Indian iconography, temple and stupa architecture, terracotta and other small-finds, the art of Gandhara; Indian, Hellenistic and Roman transculturalism in antiquity). Medieval Indian Art History (including arts of the Indian temple and sultanate period painting). Modern Indian art history (with specific reference to the the Arts and Crafts Movement and the development of Indian design). | 1.The Making of a Modern Indian Artist-Craftsman Devi Prasad. | “A Pantheon Rediscovered?” in Anderson, J (ed.) Crossing Cultures: Conflict, Migration and Convergence: Proceedings of the World Art History Congress. pp. 109-115 click here | ||
‘The Origins and Development of Indian Iconography: its entropic history’ in Iconography Now! , Sahmat & I C H R New Delhi, 2006 | ||||
2. The Body in Indian Art and Thought Paperback – 1 November 2013 | ||||
3. Temple Architecture And Sculpture |
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